Otto Friedrich August
Meinardus was a German Coptologist and pastor (1925 – 2005). He
wrote an article titled The
Hexagram or the Magen David in Byzantine Art (in the Bulletin of the Christian
Archeological Society 8 (period IV)(1975-1976) p. 97-100). In this article he claims
that the current meaning of the hexagram as representing the House of David or the
Jewish heritage in Christendom is too dominant and leads to misconception. In
the past the hexagram acceptance was wider than today, and its main function
was ornamental.
Meinardus mentions several
hexagram designs
a- The Capernaum Synagogue
type with straight lines which eventually became the symbol of the state of
Israel.
b- The Eshtemoa Synagogue type with curved lines
[1], which is most frequently found on Byzantine ornamentation.
c- The six rayed
star [2] influenced by the I for Jesus and X for Christos
d- The six rayed star which "clearly signified
the heavenly body, as, for example, in the case of the upper part of the
Barberini Diptych in the Louvre"
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[1] My teacher, Ze'ev Goldmann, thought that this Tri-loop symbol (which appears
twice on the Capernaum Lintel) is frequent Samaritan one, but appears also on a
Jewish Massoretic design in micrographic writing that has in its center a piece
of paper with text of the Tri-partite blessing of the Cohanim. It appears also
on Neo-Paphos Mosaic Floor along with Crosses and the Swastika sign.
About 40 years ago Dr. Asher Eder took a picture of this Tri-Loop symbol on a
relief in the ruins of an Herodian building in Beth-El, north of Ramallah.
a.
Capernaum - straight lined star -4th century C.E.
Credit:
Gabi Goldman
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b.
Capernaum - curved lined star -4th century C.E.
Credit:
Gabi Goldman
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c.
Constantinople Christian sarcophagus
with XI monogram, circa 400 C.E.
Archaeological
Museum in Istanbul
Source:
CC image, English Wikipedia entry: Sarcophagus
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d.
Barberini Diptych in the Louvre -6th century C.E.
Source: CC image, English Wikipedia entry: Justinián_I.
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