Atheism

On Nov. 30, 2006, in the Jerusalem Post, Samuel Freedman, a professor of journalism at Columbia University, and the author of six books, wrote an article about atheism where he claimed that in the last few years a new phenomenon of global atheism is flourishing as a backlash to Islamic jihadists bomb, murder and behead in the name of Allah. In the United States, the Christian Right… From our own midst, Yigal Amir and Baruch Goldstein embodied the strain of political violence executed on the pretext of divine sanction.

In this frame of thought Samuel Freedman mentions that

Zionism in its secular heyday offered a belief system with everything except a supernatural being. It appropriated the Bible, the Magen David and the menora as symbols of Jewish self-determination.

IMHO Zionism was never a secular belief system. For example: It’s flag was based on the Talith, the Jewish prayer shawl; Theodore Herzl answered the needs of the Jewish masses who sought a new messiah; Rabbi Abraham Isaac Kook (1865-1935) said that Zionism is a step in the Jewish religious redemption. Author S.Y. Agnon was a Zionist and a religious man etc.
Jews cannot hide from their identity. Even an Atheist Jew is a Jew…

Pyramid and Hexagram

The following paragraph is from Dr. Asher Eder’s book The Star of David, which was published in 1987 in English in Jerusalem by Rubin Mass Ltd. The publication here is courtesy of Oren Mass
This version includes corrections and new materials that do not appear on the printed version

In his most interesting studies about the Cosmic Numbers of the Cheops Pyramid, Dr.Noetling records an observation which led him to the conclusion that the architects of the Cheops pyramid knew the hexagram. He demonstrates that the measurements of the Cheops pyramid, and especially those of the stone coffer in its royal chamber, reflect perfectly all kinds of cosmic numbers.
In his searches, he found in Egypt, and curiously enough also in Burma, pedestals for statues in the shape of interlaced and decapped pyramids:
He found out that the drawing of the intersecting lines of these pedestals produces, naturally so, hexagrams whose angles differ in accordance with the geometrical intersection:
Since the base angles of the pyramid are not equal to the apex angle, the hexagrams
resulting from geometrical intersections cannot be equilateral either: we get "prolonged" or "squeezed" shapes. Dr. Noetling reasoned that these are the original shapes of the hexagram, and thus are the genuine ones which would reflect the cosmic numbers and qualities expressed by the pyramid. The harmonious hexagram, he suggests, is fashioned for the sake of ornamentation and beauty.
Interestingly enough, Dr. Ed Metzler in his profound studies on Mosaical Matrixes, comes to a similar result, however from a different point of view. He figured out that the original Two Tablets of the Decalogue consisted of two rectangular stone slabs which had the Ten Words written in ten lines in such a way that the slabs, besides showing the text of the Decalogue, set the standards for weights and measures of the Torah. The division of each tablet into 150 letter-units of 1/10 cubit led him to superimpose the prolonged hexagram on the slabs:
While both these above scientific observations might be quite correct, we ought to bear in mind that Moses and the Israelites left Egypt not only geographically. The Exodus was, and is, foremost a departure from Egypt's confinement to the forces of nature. The famous ten plagues recorded in the Book of Exodus strike in fact against deified nature forces, proving that these are subordinate to the Almighty Creator of Heavens and Earth. As these nature forces exist, and play their roles, Moses and the Israelites had no reason to deny their existence. It was, and is, their deification which is to be rejected. From the days of Abraham it is the Israelites' aspiration to raise man's consciousness above the physical nature into the realm of the Divine virtues as expressed in Exod. 34:6,7, and others, and make these our guiding force (,זה אלי אנוהו “This is my God, and I'll prepare Him a habitation", Exod. 15:2), not in suppression of, but in accord with the physical forces.
Seen from this perspective, it is quite logical to envision, and draw, the hexagram in a symmetrical shape - in contrast to the design the Egyptians may have gotten by interlacing two pyramids.
Also the prolonged hexagram gleaned from the Two Tablets is certainly a very interesting and stimulating derivation, but not necessarily a compelling conclusion which would show the true shape of our Magen David. In fact, even its author, Dr. Metzler, speaks of the prolonged hexagram at which he derived, as "Mosaical Hexagram", and not as Magen David.
Moreover, doubts whether the prolonged hexagram can truly be identified as Magen David, arise not only from the usual drawing of the hexagram as a symmetric design. It is rather the peculiar commandment to have pomegranates in the Temple service which points to another understanding.

Flower holder

Picture is courtesy of "alexisfisher" who published it on Flickr. He didn't explain what it is but I guess that it is a flower holder, and even if it isn't - it should be!

Smiling Star of David

On the bottom right Chanukah dice there's a cute Smiling Magen David - the first I've seen so far, although it looks so familiar that I feel I've seen it all my life.
This is another instance of the frequent appearance of the menorah next to the six pointed star. The first joint appearance of these two main Jewish symbols had been in the Tabernacle , according to Uri Ofir's research.
Picture is courtesy of TMBMT from Flickr.

Former Jewish Synagogue in Nederland

Magen David appears in the stained-glass windows of the former synagogue of Deventer, Overijsse, Nederland. It was sold to a protestant congregation...
Picture is courtesy of "rogiro" who published it on Flickr.

Pomegranates In The Temple Service

This is a Pomegranate-Flower photo I took from my friend Mike's unique orchard. To me it looks like a Magen David.
The following paragraph is from Dr. Asher Eder’s book The Star of David, which was published in 1987 in English in Jerusalem by Rubin Mass Ltd. The publication here is courtesy of Oren Mass. This version includes corrections and new materials that do not appear on the printed

How could Moses, our teacher, give expression to the above ideas of leaving Egypt not merely geographically, without denying altogether the nature forces it represents, but rather utilizing them in the future build up of the Land of Promise under the guidance of the Lord and his Torah? Was there a simple, yet instructive symbol which would show this aspiration? If there was one, how could it be applied without deceiving the people to deify and worship it?
For many years I wondered about the reason for the commandment to fix “pomegranates and shells at the priest's hem". (Gen. 34:28
The pomegranate is known as one of the seven minim, the so-called holy fruits of the country enumerated in Deut. 8:8. It is the only fruit whose image was a permanent constituent in the Temple service. Images thereof were added on the High Priest`s robe on the command of Moses:
"And they made upon the hem of the robe pomegranates of blue, and purple, and scarlet, twined; and they made bells of pure gold, and put the bells between the pomegranates...a bell and a pomegranate, a bell and a pomegranate round about the hem of the robe to minister in; as the Lord commanded Moses" (Exod. 39:24-26).
While many ears could hear the tinkling of the bells, few eyes could see the colorful little pomegranates. Maybe it was for this reason that pomegranates were also put on the chapiters of the pillars named Boaz and Yakhin in Solomon's Temple, and were thus made visible to all: "And four hundred pomegranates for the two networks... to cover the bowls of the chapiters of the pillars" (2.Kings 7:42).
Folklore links the pomegranate to wisdom and plenty ("may your wisdom, or your good deeds, be as plenty as its kernels"); but only the fruit's round shape and its calyx were visible.
It was probably the calyx which made the pomegranate eligible for a permanent Temple utensil that could serve as such a symbol as mentioned above.
We may deduce this from the ivory pomegranate of the 8th Century B.C.E. now at display in the Israel Museum, Jerusalem. This artifact has an impressively oversized calyx with six sepals (four still existing, two broken but well discernable). While its inscription which reads in English "Holy (to the) priests of the House of the Lord", has been exposed as recent forgery, the message of that artifact seems to remain undisputed.
The artist who designed this ivory pomegranate, was most likely inspired by the shape of the young fruit when it begins to develop right after the flower:
It is remarkable that he chose this design, and that in addition he emphasized the calyx even more. That may also be the reason for accepting it originally as authentic.
What is more, this ivory pomegranate with its six-pointed calyx is quite different from similar artifacts of that period (from the l2th to the 6th Century B.C.E.) also on display in the Museum. Canaanite ones have five- or seven-pointed calyxes and are normal-sized, while Edomite ones from Qidmit in the Northern Negev, also of the 7th - 6th Century B.C.E., hanging on an incense burner, have four sepals, and are normal sized, too.
We may conclude that it was probably the calyx which made the pomegranate eligible for a permanent place in the Sanctuary, upon the priest’s hem.
All these numbers are in accordance with nature; for indeed the number of the sepals which form the pomegranate`s flower cup can range from four to nine. Most common, however, are those with five, six, or seven sepals. Consequently, the calyx of the fruit can be also five-, six-, or seven-pointed. The fact that the calyxes of the Canaanite images have five or seven points, and the Edomite ones have four (so-far, none is known with six points), while the one in discussion, probably a Hebrew one, has six, seems rather significant. The numbers five and seven may relate to phenomena in nature, e.g. five fingers, five senses, the Druidical and the Babylonian pentagrams and what they symbolize; or the seven colors; seven tones in music; etc. The number four may just be symmetric, or simply ornamental, or may relate to the four directions of the rose.
The six-pointed calyx, however, can easily be seen as forming a symmetric hexagram, a geometric design which we know as Magen David, the Shield of David, or Star of David.
As we saw in the main chapters of the book, the hexagram is composed of two interwoven equilateral triangles which may symbolize Creation's polarities in their interaction and balance (e.g. Creator and creation; male and female; spirit and matter; heaven and earth).
So far, no remains from the First Temple were discovered. Yet, would it seem too far fetched to conclude from the above mentioned artifact of the First Temple period that there existed an affinity of the Hebrews to the six-pedaled pomegranate? An affinity which in turn may have led them to fix pomegranates of that design on the chapiters of the columns Yachin and Boaz visible to those who enteed the Temple; and then on the hem of the High Priest’s who served in the Sanctuary?
If so, the pomegranate as one of the seven minim with its six-pointed calyx could remind the people of these polarities, and draw their attention beyond the physical cosmos betokened by the pyramid and the cosmic numbers it represents.
Being a permanent Temple constituent, it could help bring the worshipper constantly to the awareness that man is the only being in which both aspects, spirit and matter, can be found from the very day the Lord breathed the neshamah, the Divine soul, into him.
Contemplating on the pomegranate with its oversized six symmetric pedals could induce the worshipper to reflect on all the polarities in and around him, and on the Lord God, the Creator of all whom he confesses in his worship, as One.

Butchers’ Sign

Yair Davidiy sent me this ORIGINAL explanation about the ORIGIN of the Star of David:

I heard today from Rabbi Moshe Rabovitz of Shaarei Hesed, Jerusalem, that Kosher Butchers in Europe for the last few hundred years always used the Magen David sign outside their establishments to announce that triangular (kosher) meat was inside.
He believes the reason is to be found in the Talmud Baitsa 28:a where it says that it was the practice for Kosher butchers to cut Kosher meat into triangular form so that it could be distinguishable if non-Kosher meat accidentally got mixed up with it.
The Magen David sign is simply two triangles superimposed on each other

I checked it out and found that
Raba the son of Rav Huna used to cut his meat into triangles… he would thus send meat to his wife with a non-Jew and she would be able to identify the meat as coming from her husband by its unusual shape.