Vered Shomron Fabian

Photo is courtesy of Vered Shomron Fabian who wrote to me

I am an Israeli artist. I live in the last two years in San Francisco area, but in the four years before I came here I was busy drawing and painting Stars of David. I made a series titles Tattoo and presented it here in an exhibition. Lately I made a new series which includes also Stars of David, but along with Cross and Crescent. I started showing here this series in group exhibitions. In my website there are photos from both series and you would surely feel that the Star of David is very meaningful for me not only as an artist but also socially and politically.

Copyright: Vered Shomron 2007

Judith Weinshall Liberman, Triangles

Photo is courtesy of Judith Weinshall Liberman who sent me the following caption:

TRIANGLES is a wall hanging - a work on fabric - and is part of Judith Weinshall Liberman's Holocaust Wall Hangings series. This wall hanging is 33" by 114" (102 cm by 285 cm) and was created in 1998. Fourteen of the Holocaust Wall Hangings, including TRIANGLES, are in the permanent collection of the Florida Holocaust Museum in St. Petersburg, Florida, U.S.A., together with the artist's Holocaust Paintings series and other works by this artist. The focus here is on six of the insignia worn by Jewish inmates of Nazi concentration camps. The insignia were composed of triangular fabric patches of various designated colors – red for “Political”, green for “Hardcore Criminal”, blue for “Emigrant”, purple for “Jehovah’s Witness”, pink for “Homosexual” and black for “Antisocial” – superimposed upside down upon the “basic” yellow triangle indicating “Jew”. The presentation is based on the row entitled “Insignia for Jews” in the table of insignia of concentration camp inmates as seen in an original document in the camp museum at Dachau.

All rights reserved to Judith Weinshall Liberman 2007

Against Assimilation

Photo is courtesy of sculptor Betty Wachsstock who wrote to me:

The idea of the sculpture is to show a hand with people walking to the top, and entering into the Magen David, inside of it, inside of Judaism.
The hand rests on a Magen David as well, and it is a symbol against assimilation, which is the subject of the sculpture.

On the Magen David there’s a verse from Malachi 3:24

He shall reconcile parents with children and children with their parents

The statue was made for Bar lan University who gave it to The Rappaport Center for Assimilation Research and Strengthening Jewish Vitality

[It] is an independent R & D center at Bar Ilan University. The Center focuses on analyzing various aspects of Jewish life in order to identify what might be contributing to alienating Jews from Judaism, and on characterizing and formulating options for mending and repair.

Copyright: Betty Wachsstock

Race Defiler

Photo is courtesy of Judith Weinshall Liberman who sent me the following caption:
RACE DEFILER is a wall hanging - a work on fabric - and is part of Judith Weinshall Liberman's Holocaust Wall Hangings series. This wall hanging is 44" by 21" (110 cm by 52 cm) and was created in 1998. Fourteen of the Holocaust Wall Hangings, including RACE DEFILER, are in the Florida Holocaust Museum in St. Petersburg, Florida, U.S.A., together with the artist's Holocaust Paintings series and other works by this artist. Two of the insignia worn by Jewish inmates of Nazi concentration camps are featured in this work. Both insignia represented “race defilers”, a term used by the Nazis to describe Jews – male or female – suspected of having engaged in sexual relations with “Aryans”. Both insignia combine a yellow triangle, which indicates “Jew”, with a black triangle. The two insignia are based on illustrations found in a row of “Special Insignia” in the table of insignia of camp inmates contained in an original document at the camp museum in Dachau.
All rights reserved to Judith Weinshall Liberman 2007

Avinoam Damari, Peace

Photo is courtesy of my dear friend, Avinoam Damari. This Star of David mosaic, with the word Peace in Hebrew in its center, is part of a series of mosaics in the shape of Star of David that Avinoam intends to make on the fence of his house in Ness Tziona, Israel. So far he made, aside from the above-mentioned work, a Yellow Badge mosaic, which I also published in this blog.

About half a year ago I visited the empty fence, and took a photo of it so that in a few years I’ll have the opportunity to compare it to a fence full with many Star of David mosaics, each would tell a story of a period and all of them would tell the story of the nation.
Copyrights: Avinoam Damari, 2007

Avinoam Damari, Yellow Badge

Photo is courtesy of my dear friend, Avinoam Damari, who works in the Israeli Educational TV in his working hours and on the mosaics on the fence of his house in his spare time. Avinoam Damari wrote to me that this Yellow Badge mosaic is a reminder for the Jewish people to do what is necessary in order to never again be in a situation of holocaust.
I find it interesting that although Avinoam Damari’s family is from Yemen – and didn’t suffer in Europe during WWII - he chose to express his Jewish identity by the Yellow Badge.
Another interesting point is that he chose street art, which becomes part of everyday life, and not art that is closed in galleries and books.
IMHO there are too few art works in the Israeli neighborhood – it seems that Israelis carry the traumas of their previous generations, and find it hard to invest in beautifying their environment, afraid that they will have to leave it in the near future.
These considerations make a respected room for this Yellow Badge mosaic in “my virtual exhibition” titled “Star of David on a Yellow Badge”.

BTW I think that showing art on the internet is a kind of art street that makes art works accessible to those who never put a foot in a gallery.
Copyright: Avinoam Damari, 2007

Tanya Preminger

Photo is courtesy of sculptor Tanya Preminger who wrote to me:

In Passover, the feast of freedom, appeared in the fields of Arsuf-Kedem [ 2 km north of Herzelia, Israel] a huge Star of David made off chrysanthemum, which fills our land with its flowers in spring. This display was made by a group of environmental sculptors lead by Tanya Preminger. After WWII the ;became in our consciousness a symbol of suffering and death. By creating it from flowers in the field these sculptors want to renovate the original symbol which means flowering, blossom, life, independence and freedom.

It reminds me of the verse from Jeremiah 33:11

For I will restore the fortunes of the land as they were at first,' says the LORD.

But since every day our enemies try to make us disappear I’m afraid that the end of times is delayed. Anyhow I think that this enterprise is full of good vibrations and it is a right movement in the right direction.

Tanya Preminger was born in the Soviet Union in 1944. Since 1972 she lives and teaches in Israel. She is married and has 4 daughters. Tania works in various art media: sculpture, landscape art, installation and photography.
photography of Shlomi Waserman.
Copyright: Tanya Preminger 2007